Posts tagged camera
This weekend has been a very long yet fun weekend working on Stickaid 2011 with SilverLine Media, at Ravensbourne University, North Greenwich. Stickaid is a 24 hour broadcast streamed live onto Stickam.com and Youtube.com and this year it came from Ravensbourne, with the help of SilverLine providing the stream and many Ravensbourne students filling rolls from Camera Operators to Sound Supervisors to Editing and many more. The students that helped out over the weekend came from all year groups with some only 3 day’s into there courses.
Scott and Russell from Fluxity were originally brought in on Thursday and Friday to rig the events lighting and power. This job turned out to be over complicated due to some poor planning and communication from all parties involved. The rig should have taken only 8-10hours to complete but had to be completely re-worked to overcome the lack of correct power and distribution.
At 5pm on Friday afternoon Tom also joined the frustrated rigging team to assist in finalising some decisions and to get the rig moving again. The rig was finally completed at approximately 11.45pm on the Friday, with only a quick focus and program to be completed in the two hours before the 12Midday Broadcast start. Programming was completed during the first couple of hours of broadcast by Charlie Fox and Scott.
Fluxity Lighting was kept on call during the event for power and other related problems, and we are very pleased to report that we didn’t receive a single call, and the system was stable and survived the full 24hours.
Scott, Tom and Russell turned up at about 11am on Sunday for the De-rig that was due to begin at about 12.15pm. Between the three of us we had all of the lighting power and staging out of the rig and Ravensbourne back to how it was, in just under 6 hours, in a very relaxed yet steady de-rig.
All in all a long weekend in which we helped raise over £17000 for Unicef. It’s not too late to Donate still, just click on the logo above.
Here’s what Elliot from SilverLine Media had to say about working with Fluxity, over this last weekend:
Scott, Russell and in the end Tom, helped us Thursday, Friday and when I honestly thought that we weren’t going to have the lights going or anything, 2 hrs before TX they made it all happen. Thank you so much guys, especially for dealing so well with my screw ups and then the de-rig on Sunday!
Sorry for the lack of update recently, just been so busy with loads of mini uni projects, including London Live and GCSE exams back at my old school and catching up on uni coursework and lectures.
The missed lectures and course were caused by Martins absence and other missed lectures due to the snow. To catch these up missing lectures we have been pulling extra sessions on day’s we normally have free, and where i would normally update my blog.
This weekend I have been working again with Ben Blake and Sarah Louise Ings on her latest Music Video. This weekend has been a strange one, and once again i wasn’t given any information about the director and the musicians vision until the day. This then again put me on the spot to come up with an adaptable lighting design thats sticks with the vision and looks good on camera.
I’m happy with the end result and am now waiting for them to edit the video and when its released I will post a few clips on here.
Another day, another circus Session this time we were learning about location sound. this is what i wrote about it for my Circus Report:
Locations sound works hand in hand with location camera’s providing additional sound capabilities to the single camera, for example an interview situation that required two personal mic’s could be mixed together before being fed to the camera as stereo or mono line level mix. Location mixers often have 2-4 inputs and can either mix in stereo or dual mono. Location mixers normally have better Microphone pre-amps than Camera’s, which in turn provides better sound quality, as the mixer is outputting at line level (0db) and the camera won’t apply any more amplification to the signal.
Some microphones require batteries or phantom power (+48v) to operate; these mic’s are a form of capacitor mic’s are much more sensitive than standard dynamic mic’s that don’t require power to operate. Most cameras and mixers can supply phantom power to these microphones.
When setting up for a shoot, you can use the tone that the mixer is supplying to the camera to help setup the record levels on the camera. Tone should be set just below the 0db mark as this allows some “head room” before the camera starts to clip the signal should you go above the tone volume.
Today, we moved onto the next part of our Production Skills Circus, this time we looked at the workings of the Studio / Production Gallery. This included looking at what the role of the Director, PA, VM operator and Other Production Roles do, during a live or as-live multi-cam shoot.
Looking at these roles and listening into to talkback of some recently recorded shows, gave me a look at how teams work together and how much is actually scripted, including all camera shots, tracks, how long the presenter talks and more. Listening to the talkback also gave a clear indication to myself and the group, how much teamwork is actually involved in creating the final show the viewer watches.