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iPhone Streaming

iPhone Streaming

I’ve finally done it after two long days working with VLC and my Mac and iPhone I finally have a native live video stream to an iPhone.

iPhone Streaming

I started by looking at this site which explained a way to stream to iOS devices using HTTPStreaming and in particular adaptive HTTP Streaming. This tutorial was however out of date, like many I had found either VLC was many version behind the current or the software used to segment the stream no longer existed.

Since version 1.2 (now in version 2.0.1) VLC has been able to create HLS live streams as part of its core streaming functionality, this function though I have found to be poorly documented as it is very similar to the standard progressiveHTTP Streaming module.

Stream Requirements

  • A Video or Stream Source
  • VLC –  dummy or web interface
  • A webserver, Apache or similar

You used to also require the mediastreamsegmentator from Apple, however a version of this software has now been written into the core of VLC after the Unwired Developer created a module for VLC back in early 2010 to help streamline the process, this module has since become core functionally of VLC.

The Working VLC Code

The code below is the final code that I used to start VLC into dummy mode from the command line, then transcode and re-stream the incoming stream or video file.

/Applications/ -v -I "dummy" rtsp://  :sout="#transcode{vcodec=h264,vb=512, venc=x264{aud,profile=baseline,level=30,keyint=30,bframes=0,ref=1,nocabac},acodec=mp3,ab=96} :std{access=livehttp{seglen=10,delsegs=true,numsegs=5, index=/Applications/MAMP/htdocs/iPhone/stream.m3u8, index-url=stream-########.ts}, mux=ts{use-key-frames}, dst=/Applications/MAMP/htdocs/iPhone/stream-########.ts"

The first bold item is the incoming stream, for this I used a random RTSP stream I found online for testing, This can be replaced with a file that you wish to stream “as live”, there is also another option in this code to allow “On-Demand” videos to be created like this, but I will go into that another day.

The second bold (index=) item is telling VLC the file path of where it should store the “playlist”, the file that controls the stream, and the one you link to in the video players.

Screen Shot - Many Code Attempts

The third bold (index-url=) item is telling it how to link the .ts (Transport Stream) files in relation to the playlist file, in most cases these are stored in the same location, which means I only had to provide the file name of the stream files. The #### signifies a number which is auto generated by VLC with each file.

The fourth and final bold (dst=) item is telling VLC where to store the .ts files and what to call them, this is that system file path, similar to the index= above, including the filename.

On the right you can see the many code variations I went through first to come up with the winning combo above. The above code still needs a few tweaks to find the optimised quality to bit rate, and also a few tweaks to the number of .ts files created. Each .ts file holds approx. 10 seconds of video, and after 5 have been created it deletes the oldest and replaces it with the next 10seconds of footage, this currently allows for 40seconds or so of rewind during a live show.


To distribute HLS or AdaptiveHTTP streams is quite simple, in its simplest form all you require is a web server (Apache, Nginx, IIS) and a webpage with the <video> tag.

Mime Types however are critical and are not set as standard for most web servers, these simple flags are enough to break a stream that is otherwise behaving perfectly. To find out more about mime’s have a look here:

Configure the following MIME types for HTTP Live Streaming:

File ExtensionMIME Type

If your web server is constrained with respect to MIME types, you can serve files ending in .m3u with MIME type audio/mpegURL for compatibility.


The above quote came direct from the apple HLS Developers Site here.

For Apache systems its as simple as creating a .htaccess in the site’s folder or editing the main httpd.conf with the following two lines:

AddType application/x-mpegURL    .m3u8
AddType video/MP2T    .ts


AddType audio/mpegURL     .m3u
AddType video/MP2T    .ts

Busted iPhone - No Way to get back to Safari via Touch Control's

This then tell’s the client that the file is video and in a mpeg transport stream, which allows it to process it accordingly. Without one of these MIME flags being set, a .m3u8 file is classed as text/plain and all you load is a 10+ line document with reference links, no video.

Also without the MIME type’s being set you can end up with a black screen on the iPhone Safari, the only way to get out of this black screen is to fully exit Safari and then stop it before it loads or Exit Safari and stop the web server, this then forces an error on the iPhone and allows you to navigate the control’s again.

The Web Page

The webpage I used for this test was extremely simple, and included two lots of the <video> tag. The top set was a reference file that can be found on apple developer site, and the bottom one was the stream from my mac.

    <title>HTTP Live Streaming Example</title>
    <video src="" controls></video>
    <video src="" controls> </video>

The above code and system works flawlessly on an iOS 5.1.1 and OSx 10.7.3 (Safari 5.1.5).

Ravensbourne 2012

Ravensbourne 2012 is the end of year show run solely by students to show case students work to their respective industries. As for 3D Storytelling my role is as head of rigging and logistics. This has involved working a lot closer to the directors of the event rather than working within the engineering group.


The main task that I have faced with Ravensbourne 2012 has been lighting for the 4th floor. Originally fashion wanted to put there show on level 7 but this would have made lighting it physically impossible due to the height of the ceiling and logistically it wouldn’t be possible to have the number of people that they wanted in that space. Russell and myself talked them round to holding the show on the 4th floor which is a much better space to work in but still has many challenges first of which was designing a light weight structure that was strong enough to take more lights than we had last year. Due to the weight restrictions on the floor I had to put an extra 4 ground supports in to spread the load over the floor. Overall the maximum load that I can put onto the floor is 4 tons but I can’t have more than 500KG at any one point. This has definitely been my biggest engineering challenge this year, if we had been allowed to fly the structure off the RSJ’s on the ceiling above the 4th floor I would have never faced this issue and the space would look a lot cleaner than its going to, but we all have to make compromises.


Working so closely with the management team has posed its own issues as Russell and myself have been rather segregated from the engineering team and been in the level 1 office most of the time, this is something that we had to do however as the event would not run without us. The hours that we have put into this has been tremendous, planning almost everything and trying to fix all of the logistical/engineering problems and picking up the slack when needed. I have also had a couple of run in’s with the management team on some of their decisions, the main one being over stage electric. After 3D Storytelling I did some deals with stage electrics for Ravesbourne 2012 with the managing director of Ravensbourne 2012 but the rest of the management team did not agree and felt that we could get a better deal elsewhere. This was not true as the kit they were asking for from other companies was not what I had specified for the rig. Eventually a very last minute decision was made to go with my original plan, as it was the best deal on the table.



This IPP lecture was a bit different than the others  as it was with James Uren, one of our Broadcast Tech course Leaders. This made this session much more interesting and much more relevant to our corse and how the principles, we have been taught in the other IPP sessions, are used in a number of Broadcast Engineering environments.

PROJECT: Sarah Louise Ings – Live Lounge


Last friday I was asked to work on this new “Live Lounge” shoot with Ben Blake, for Sarah Louise Ings. For this shoot i was asked to assist light a 30 piece orchestra in the tiny studio at Ravensbourne. When I arrived in the morning and was shown the floor plan, I immediately started to make changes to the lighting rig to cope with the number of performers it needed to cover.

The rig finally consisted of:

  • 8 x 1k Fresnel’s
  • 3 x 2k Fresnel’s
  • 4 x 575w Profiles
  • 4 x Mac 250 Entours
  • 4 x Parcan’s

The shoot went well after a shaky start, we had some problems with blown lamps and damaged sockets, restricting out pantograph positions, and also the available lighting stock. I’m happy with the outcome of the of the day, and some of the effect created, photo’s to follow.

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